The 66th edition of the Grammy Awards was held on the 4th of February 2024. at Crypto.com Arena in Los Angeles. The event was aired live on CBS and was streamed on Paramount+. Hosting duties were undertaken by South African born comedian Trevor Noah.
At the 66th annual Grammy Awards, Phoebe Bridgers dominated with three awards alongside her band Boygenius and one for a featured appearance on a SZA song. Despite having the most nominations, SZA didn’t secure major honors, while Taylor Swift’s “Midnights” won Album of the Year, Miley Cyrus’s “Flowers” won Record of the Year, and Billie Eilish’s “What Was I Made For?” won Song of the Year.
Victoria Monét was named Best New Artist, and Swift’s album win set a Grammy record for the category. The ceremony was characterized by joyful, polished, and thoughtful moments, featuring memorable performances and heartfelt acceptance speeches, capturing the dynamic and ever-changing nature of pop music.
Two standout performances at the event showcased young women using pianos to explore the ethereal heights of their vocal ranges while addressing societal expectations of fragility and beauty. Billie Eilish delivered a captivating rendition of her song “What Was I Made For?”—later awarded Song of the Year—creating a moment of profound emotion.
Olivia Rodrigo, in her rock-operatic hit “Vampire,” skillfully hit challenging high notes and incorporated a theatrical twist, smearing herself with fake blood to comment on societal pressures. Both performances served as poignant responses to the restrictive standards imposed on young women, with Eilish expressing the pain of objectification and Rodrigo transforming pressure into a horror-themed statement, emphasizing the impactful role of theatricality.
At 80, Joni Mitchell made her Grammy Awards debut with a rendition of her enduring folk ballad “Both Sides Now.” Despite singing this prismatic song since the age of 23, Mitchell approached it with a sense of perpetual reinterpretation. The performance, backed by a loose jazz arrangement, showcased an elegiac and nimble quality.
Mitchell, who has often felt underestimated in the industry, displayed a resonant tone and impressive vocal range, a testament to her dedicated efforts in recovery since suffering an aneurysm in 2015. Her Grammy appearance was a magical and brief visitation from a musical deity, marking a significant moment in her storied career.
At the Grammy Awards, Jay-Z and Beyoncé, both seasoned with numerous wins and nominations, made a surprise appearance. Jay-Z, accepting the Dr. Dre global impact award, criticized the Recording Academy for historical slights in rap categories and repeated snubs of Beyoncé in the album of the year category.
In a bold and seemingly spontaneous speech, Jay-Z urged the Academy to “get it right” and questioned the metrics behind Beyoncé’s wins, mostly in R&B and urban contemporary genres. This isn’t the first time Jay-Z has called out the Grammys, and his remarks came on a night when Black artist SZA, with the most nominations, was overlooked in major categories.
South African singer Tyla Laura Seethal, 22, emerged as a surprise winner at the Grammy Awards in Los Angeles, securing the Best African Music Performance award for her R&B and amapiano track “Water.” The song reached No. 67 on the Billboard Hot 100 in October, marking the first solo by a South African artist to enter the chart in 55 years since Hugh Masekela’s “Grazing in the Grass” in 1968. The category of Best African Music Performance is a recent addition to the Grammys.
The Grammy Awards successfully navigated the delicate “in memoriam” segment, striking the right tone with fitting performers. Stevie Wonder initiated the tributes with a heartfelt acknowledgment of Tony Bennett, emphasizing not only his musical talent but also his early and enduring commitment to civil rights. Annie Lennox, adorned with rhinestone teardrops, delivered a poignant rendition of “Nothing Compares 2 U” in tribute to Sinead O’Connor, backed by Wendy and Lisa from Prince’s band.
Jon Batiste and Ann Nesby transitioned from a mournful “Ain’t No Sunshine” to a spirited gospel rendition of “Lean on Me.” Fantasia Barrino-Taylor, after a verbal tribute from Oprah Winfrey, paid homage to Tina Turner with a powerful performance of “Proud Mary.” This year’s in memoriam segment focused on the way recorded music preserves a life force, celebrating memories rather than marking endings.
Here’s a key list of winners at the 66th Annual Grammy Awards
Album of the Year: “Midnights” – Taylor Swift
Record of the Year: “Flowers” – Miley Cyrus
Song of the Year: “What Was I Made For?” (From The Motion Picture Barbie) – Billie Eilish & Finneas O’Connell, songwriters (Billie Eilish)
Best New Artist: Victoria Monet
Best Pop Vocal Album: “Midnights” – Taylor Swift
Best Pop Solo Performance: “Flowers” – Miley Cyrus
Best Rock Album: “This Is Why” – Paramore
Best Rock Song: “Not Strong Enough” – Julien Baker, Phoebe Bridgers & Lucy Dacus, songwriters (Boygenius)
Best Rock Performance: “Not Strong Enough” – Boygenius
Best Alternative Music Album: “the record” – Boygenius
Best Rap Album: “Michael” – Killer Mike
Best Rap Performance: “Scientists & Engineers” – Killer Mike featuring Andre 3000, Future and Eryn Allen Kane
Best Rap Song: “Scientists & Engineers” – Andre Benjamin, Paul Beauregard, James Blake, Michael Render, Tim Moore and Dion Wilson, songwriters (Killer Mike Featuring Andre 3000, Future and Eryn Allen Kane)
Best Global Music Album: “This Moment” – Shakti
Best African Music Performance: “Water” – Tyla
Best Music Video: “I’m Only Sleeping” – The Beatles
Best Comedy Album: “What’s in a Name?” – Dave Chapelle
Best Audiobook, Narration and Storytelling Recording: Michelle Obama, “The Light We Carry, Overcoming in Uncertain Times”
Watch this space for updates in the Music News category on Running Wolf’s Rant.
